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MIDEM Classical Awards 2010: Instrumentalist of the Year
GRAMOPHONE: Artist of the Year 2006

“It was a positive sensation. The Canadian pianist is one of the reliably mesmerising musicians of the day. You sit entranced….it would have been more accurate to say I was floating just below the ceiling. She seems to me the complete performer, gifted not only with fingers that imprint each note with a svelte newness and a mind that is not deflected by such precision work from calmly surmising the larger structure, but also with the ability to convey a spiritual seriousness that nonetheless does not exclude an utter charm.”
Paul Driver writing of her Wigmore Hall recital in September 2003 in The Sunday Times.

An Instant Link From Head and Heart to Fingertips

"What draws the listener to Angela Hewitt…has to do with contact. Most piano performances arrive in translation: the inner musician making a decision, then issuing a command that makes its way through the body onto the keyboard and into the ear. The process alters the results. Ms. Hewitt is one of those rare musicians who seem to get something into their heads and hearts and find it at their fingertips instantaneously. To fuel this leap must require a fund of psychic energy beyond the average capacity. Good musicians are good athletes, not in the muscular sense but in the staying power of their imaginations. This pianist’s resolve to imbue every musical moment with an unrelenting sense of theater would exhaust most of us in 10 minutes."

Bernard Holland in the New York Times, February 2007

One of the world’s leading pianists, Angela Hewitt regularly appears in recital and with major orchestras throughout Europe, the Americas and Asia. Her performances and recordings of Bach have drawn particular praise, marking her out as one of the composer's foremost interpreters of our time.

Angela Hewitt has recently performed with orchestras including The Cleveland, Toronto Symphony, Philharmonia, and Oslo Philharmonic orchestras and the Orpheus Chamber Orchestra at Carnegie Hall. She has also appeared with kammerorchesterbasel, Camerata Salzburg, and the Rotterdam Philharmonic and City of Birmingham Symphony orchestras, as well as the Verbier Festival Chamber Orchestra. Recent and future highlights include concerts with the Finnish Radio Symphony and London Philharmonic orchestras, BBC National Orchestra of Wales, Brussels Philharmonic, Sydney Symphony, RAI Torino, Orquestra Sinfônica Brasileira, BBC Scottish Symphony Orchestra at the BBC Proms and a return to Verbier Festival.

Recital highlights of the 2013/14 season include concerts at Seoul Arts Centre, Tokyo’s Oji Hall and Nagoya’s Shirakawa Hall; Glasgow’s City Halls and The Queen’s Hall, Edinburgh; Wimbledon Music Festival, Sociedad Filarmónica de Bilbao, the SFJAZZ Center in San Francisco, and De Doelen, Rotterdam; as well as several appearances at Wigmore Hall, London. Angela Hewitt also undertook a tour of Australia for Musica Viva, performing recitals in cities including Sydney, Melbourne, Brisbane, Adelaide, and Perth.

In 2012/13, Angela Hewitt began a project to perform Bach’s The Art of Fugue in two programmes in major halls worldwide, based around concerts at the Royal Festival Hall in London as part of the International Piano Series. This follows on from the celebrated project 'Angela Hewitt's Bach Book' in 2010, where Ms Hewitt gave world premieres of six newly-commissioned works by leading composers at Wigmore Hall.

Angela Hewitt's award-winning recordings for Hyperion have garnered praise from around the world. Her ten-year project to record all the major keyboard works of Bach has been described as “one of the record glories of our age” (The Sunday Times) and has won her a huge following. She has been hailed as “the pre-eminent Bach pianist of our time” (The Guardian) and “the pianist who will define Bach performance on the piano for years to come” (Stereophile). Her discography also includes CDs of Beethoven, Schumann, Messiaen, Ravel, Chopin, Couperin, Rameau and Chabrier. Recent releases include a third album of Mozart concertos, a live recording of Messiaen’s Turangalîla Symphony with the Finnish Radio Symphony Orchestra, solo discs of Debussy and Fauré, as well as the Schumann Concerto with the Deutsche Symphonie-Orchester Berlin and Hannu Lintu. Her recording of The Art of Fugue by Bach, released by Hyperion in October 2014, immediately hit the billboard charts in the USA and UK.

Born into a musical family, Angela Hewitt began her piano studies aged three, performing in public at four and a year later winning her first scholarship. She then went on to learn with French pianist, Jean-Paul Sévilla. In 1985 she won the Toronto International Bach Piano Competition.

In July 2005, Angela Hewitt launched her own Trasimeno Music Festival in the heart of Umbria near Perugia. An annual event, it draws an international audience to the Castle of the Knights of Malta in Magione, on the shores of Lake Trasimeno. Seven concerts in seven days feature Hewitt as a recitalist, chamber musician, song accompanist, and conductor, working with both established and young artists of her choosing.

Angela Hewitt is an Ambassador for The Leading Note Foundation's "Orkidstra": a Sistema-inspired, social development program in Ottawa's inner city which, through the joy of learning and playing music together, teaches children life-skills such as commitment, teamwork and tolerance.

Angela Hewitt was named ‘Artist of the Year’ at the 2006 Gramophone Awards. She was made an Officer of the Order of Canada in 2000 and was awarded an OBE in the Queen’s Birthday Honours in 2006. Peterhouse College in Cambridge made her an Honorary Fellow in 2014. She lives in London but also has homes in Ottawa and in Italy.

Updated September 2014

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